One of
my students, the graphic arts girl who dresses well and is very conscientious
with her work, was asking me before the BDSM class if I was going to be teaching
again the next year.
“Not
next year because I need to finish my dissertation,” I was like, “But the year
after I’m hoping to try to teach four to five classes, I’ve already started to
explore that.”
I then
said that I was looking at maybe doing the entering freshman writing seminar,
and was thinking that a great topic for the semester would be Jonestown, where
for the entire class you try to understand it, and you look at its contexts,
the history of movements like Pentecostalism that fed into it, scholarship on
new religious movements, everything.
“For the
first day,” I was like, “I would love to show news footage of the bodies, and
then read off the names of all the people who died.”
Then, I
added, “That was like nine hundred and twenty people. I think it would take an hour-and-a-half.”
Then, I
asked, “What do you think would happen if I did that? We’d just all be in a circle, me and these
freshmen, all with a list of names, and we go around in a circle and read names
for like an hour-and-half.”
One of
my students who was there was like, “Well, you’d get a lot of drops that first
week.”
“I’d
take it,” my one graphic arts girl said, quickly and seriously.
“I would
too,” the student who said they’re’d be a lot of drops.
I then
added that when I had met People Temples survivors, the one thing they said
that they wanted taught if Jonestown was taught was that people weren’t
mindless cultists, but were the most heterogenous group of people you’ve ever
met, each and every one unique and such an individual.
“That’s
what you have to understand,” I was like.
“Nine hundred and twenty is a number.
How do you break that down, how do you wrap your head around the
magnitude?”.
I also
said that Peoples Temple survivors have a newsletter, and one of the things
they do regularly is evaluate artistic references to Jonestown, so the final
class or 2 would be to look at how artists have used it and what Peoples Temple
survivors thought.
At that,
my one graphic arts girl said that in one of the Armistad Maupin Tales of the
City books, one of the people in the building turns out to be a woman who fled
from Jonestown through the jungle with her baby.
“That
was the woman I met!”, I was like.